Pranshu's English Classroom (CBSE)

 Anchoring is not a speech; it has a distinct kind of formal tone. It should flow like honey; people cannot see the punctuations, they should sense it with our tone, so give a tone that shows punctuation, say something with a lot of pride. Anchoring is not a speech; it carries a distinct formal tone that must feel natural and graceful. Your words should flow like honey —smooth, connected, and pleasant, without sounding mechanical. The audience cannot see punctuation, so they must sense pauses and commas through your voice modulation . Always match the speed and rhythm of your co-anchor to maintain harmony on stage. Show appreciation and awareness— acknowledge good delivery and pronunciation when your co-anchor speaks well. At important moments, make eye contact and use graceful hand gestures toward the stage to guide the audience’s attention. While introducing dignitaries, go beyond basic phrases— express deep respect and pride , because simply saying “we are privileged” o...

The Flying Carpet (Only for Reading) Pika Nani   Notebook Work  Background of the Story The story The Flying Carpet is set in the remote and culturally rich village of Tawang in Arunachal Pradesh, India. It revolves around a young girl, Sibsa, and her mother, Sangey, a skilled traditional weaver. The story beautifully blends elements of imagination, family bonds, and cultural heritage. It also highlights the life of handloom weavers and the importance of preserving traditional crafts in a rapidly modernising world. Summary  Sibsa hears a story about a flying carpet at school and becomes fascinated by it. She develops a strong desire to have a real flying carpet of her own. She asks her mother, Sangey, to weave a magical flying carpet for her. Sangey, a skilled weaver, lovingly begins creating a special carpet instead of a literal flying carpet. The carpet beautifully depicts the landscapes, culture, and life of Tawang. Sibsa slowly realizes that the true magi...

Background of the Story Author: R. Krishnamurthy, pen name Kalki, was a Tamil writer and journalist (1899–1954). Kalki wrote historical fiction, short stories, and satirical works highlighting human nature and social issues. Time & Context: Written during British colonial India, when hunting was a sport for aristocrats and colonial officers. Social Commentary: Highlights the obsession of rulers and elites with power, prestige, and dominance over nature. Colonial Influence: Shows the fascination with exotic animals and the moral disconnect from the consequences of killing wildlife. Cultural Significance: Raises awareness about the arrogance and moral flaws of humans, especially in positions of power. Literary Style: Uses satire, irony, and vivid imagery to critique human folly and obsession. Relevance: Continues to resonate as a commentary on human ego, environmental exploitation, and pride. Overview Focuses on the life of a tiger-hunter king, who becomes obsessed with killin...